If you've seen
this link, you know I'll be at
The Way Station on Halloween night. It will be fun, so you should come as well (I don't know if they card or not, I'll be asking). It runs from 4pm to 2am, so plenty of time to be there, I'll probably get there around 7:30pm. I know, early. I don't do fashionably late ;)
HOEVER, the night before, I'm going to be out as well–Devil's night at
OTTO'S SHRUNKEN HEAD. And, unless you're under 21, there is NO REASON NOT TO GO TO A 5$ EVENT. SRSLY. FREE hard cider! FREE cupcakes! FREE hot chicks (if they dig you. If not, FREE EYECANDY!).

There will be three bands through the night. Saints of pain open at ten, and they are some HARDCORE SHIT. If you like your music heavy, you should not miss this. If you do, more's the pity. I first saw them at Otto's and they were fucking GREAT. I was an instant fan, no lies. I swear I will have their soul-I mean, 'CD'. Hate in the Box follows at eleven. "Candy Coated Razor Rock" really is the only way to describe my favorite local band. Like Queen Adreena on a hard mix of speed and pixy stix, HITB grabs you by the neck, slaps your ass, and tells you to like it. And you -do-.
I've not heard The Bambi Killers, who close of the live show at 12, but from their name I'm already intrigued, and from their photos on Farcebook, these girls look batshit, 700mph insane. I can get behind that.
And if you DON'T know, because you aren't coming to the lives enough, HITB finished/released their newest album (Under the Ice) a couple months ago and I've been chewing on it since. If MP3's could wear out, I'd have had to re-reip this CD twice. It's addictive.
Their sound is developing into a more mature direction. Still ballistically balanced between completely crazy and finely psychotic the music feels better produced, better laid. The audio is cleaner and the sound is meaner. What more could you want? Oh, a better review? Fine, damn you.
And stop rhyming?
Fine :P
The tracks share a lot of the signatures I expect with HITB, driving drums, a dominant keyboard, and Blight's distinctive voice are still there. But the balance is better. The instruments don't try to overpower each other. The guitar is more integrated this time around and the vocals never are threatened with being drowned out. The biggest technical change does seem to be the production value.
But that's not all that's kept HITB far away from the Sophomore Curse. The album cover art is perfect, and the lyrics keep HITB's style going and the songs all feel nicely bundled together. The album makes -sense-; it's not just random crap tossed together, it all works well. This was true of "Razorblade Fairy Tales" (their previous album) and it's true of ICE, without doubt.
The individual tracks are recognizable and find a place in your mind and dig in with all their claws. "eLECTRIC dOLLS" and "Pins + Needles" definitely see some of the highest rotation in my music collection. In fact, really, every song from HITB sees high rotation with me.
All that said, where HITB shines is their lives. With two albums under their belt, and many more to come, I'm sure, their lives are surprising, eclectic, and deranged. And you might just get a flash of someone's petty coat, or get to physically abuse a giant plush rabbit in bondage. You can't ask for more, because really, what the hell comes after that?